Some recent projects:
- Square Rounds – Tony Harrison; Dir: Jimmy Walters; Finborough, 2018, (Production Manager)
- End of the Pier – Danny Robins; Dir: Hannah Price; Park 200, 2018, (Production Manager)
- For King and Country – John Wilson; Dir; Paul Tomlinson; Southwark Playhouse, 2018 (Production Manager)
- Scenes from the End of the World – Dir: Sarah Davey-Hill; The Yard, 2018 (Production Manager)
- A Chorus Line – Marvin Hamlisch; Dir: Ed Hughes; Embassy Theatre, London, 2018 (Production Manager)
- 13 – Mike Bartlett; Dir: Dan Bird; Embassy Theatre, London, 2017 (Production Manager)
- Grand Hotel – Luther Davis; Dir: Anthony Banks; Embassy Theatre, London, 2017 (Head of Stage)
- Les Misérables – Schönberg & Boublil; Dir: Shelagh O’Connell; Cardinal Vaughn Memorial School; London, 2016 (Production Manager)
- Dick Whittington – Dir: Mark Oldknow; Curzon Theatre, 2016 (Production Manager)
- The Crucible – Arthur Miller; Dir: Robert Shaw Cameron; Webber Douglas Studio, London & Y Theatre, Leicester, 2016 (Asst. Production Manager)
- King Lear – Dir: Mark Oldknow; Glory Farm Barn, 2015 (Producer)
- Down and Out Live – George Orwell adapted by Hannah Price; Dir: Hannah Price; Stone Nest London & Paris Tour (Production Manager)
- Save The Children Secret Winter Gala – Light Motif, City of London Guildhall, 2017 (Production Manager)
- Private Bat Mitzvah – Light Motif, Camden Roundhouse, 2017 (Production Manager)
- Our Planet Premiere – Event Concept, Natural History Museum, 2019 (Project Manager)
Training: Royal Central School of Speech and Drama; BA(hons) Theatre Practice – Technical and Production Management
Training at RCSSD along with extensive experience in both areas gives me the foundation required to work across both the theatrical and events sectors. A deep-rooted appreciation for art and design, combined with a highly technical skillset gives me a fully comprehensive approach to a wide spectrum of corporate and live events, and theatrical productions.
